Film Production Course

‘Are You Not Entertained?’ Treatment: Films for Development

An intensive course on Film Production at Hargeysa Cultural Centre

“Whenever am faced with this question, why Films for Development? My answer has always been – My observations became an obligation.” Says Taye Balgun, Taye is a film director/photographer, pan Africanist, activist, social justice campaigner and a teacher.

The course

There are too many entertainers across the world but not enough content to create a critical thinking, provoke minds and trigger change. As a part of Hargeysa International Book Fair pre-activities, Redsea Cultural Foundation is organizing this year at Hargeysa Cultural Centre, a  film production workshop that will take the following structure:

  1. IDEATION: Identifying a problem. This is a simple discussion forum.
  2. RESEARCH: Why is it a problem? Maybe its not a problem elsewhere. How did the problem occurred?
  3. CONCEPT: Will our approach to the subject matter create awareness, provide solution or provoke discussion? A 360 or 180 perspective.
  4. FOCUS GROUP: Who are we targeting? Policy makers, NGO, Grassroots folks, Youth, Experts etc What action do we expect from them?
  5. STORYBOARDING: A sketchy visual narration. If you can visualise your story, you can’t achieve it.
  6. SCRIPTING: Creation of the flow of storyline. Put words on paper, let others read it.
  7. PRODUCTION: Film techniques and style of storytelling. Let the shoot begins.

The workshop will be more interactive and hands-on. Runing five full days, from 14th – 19th, the course organizers expect to have a tangible outcome: A 2 minutes video.

Biography of the lead trainer

Taye Balogun is a Film Director/Photographer, Activist, Educator and a Campaigner. From directing Broadway Musicals to feature films with special emphasis on impact production. Taye has consulted, campaigned and engaged with several international organizations/bodies {Control Arms, Water Aid, Oxfam, HelpAge, SOTU, Save The Children, African Union, UNESCO, AYICC, Amnesty International, Action Aid  e.t.c} on issues ranging from Water and Sanitation, Gender Equality, Youth Empowerment, Women/Human Rights, Climate Change, Peace and Security, and Arms Control. He is the Director of Media and Campaigns of African Artists Peace Initiative ( – a pan African movement of Artists and Peacemakers working closely with the African Union and UNESCO. Taye is an Alumni of the UNLEASH – a global Lab on SDG’s where he advocated for quality education for all . Taye taught Acting/Filmmaking for 4 years, and presently teaches Films for Development, which has attracted an invite to present his work in Harvard University, Howard University and Georgetown University in the United States. Taye is currently working on his first book titled GUNS, GUTS & GOD and his 7th feature film titled THE BLUE KHAFTAN.

Other film makers who attend the Hargeysa International Book Fair and Somali Studies International Association Congress, will meet the trainees after the workshop for further improvement.

Tababbarta Tiraabcurinta Toolmoon


Tababbarrada Xarunta Dhaqanka ee Hargeysa, 2018

Xarunta Dhaqanka ee Hargeysa waxa ka furmi doona tababbar ku saabsan qoraal-curinta toolmoon, gaar ahaan qaybaha maansada, riwaayadaha, filimmada iyo sheekada gaaban. Tababbarkani kuwii sannadihii ka horreeyay ayuu kaabayaa. Waana mid loogu talo galay in ay ka faa’idaystaan dadka ku hawlan qoraalcurinta, saxaafadda, ardeyda barata suugaanta iyo kuwii la mid ah.

Muddada tababbarku soconayaa waa toddobaad 13ka Julaay ilaa 18ka Julaay 2018, Xarunta Dhaqanka ayuuna ku qabsoomayaa. Waxa casharrada bixin doona barayaal ku xeeldheer qoraal-curinta toolmoon waxana, marti ku ahaan doona barayaal iyo xirfadlayaal warbaahinta ku jira oo la wadaagi doona ardeyda waaya-aragnimadooda. Siciid Saalax Axmed, Siciid Jaamac Xuseen, Cabdillaahi Cawed Cige, Saynab Aadan Sharci, Maxamed Baashe X. Xasan, Maxamuud Sheekh Dalmar, Cabdalla Cismaan Shafey, Maxamed Xirsi Guuleed, Maxamed Cali Xasan “Alto”, Dr. Jaamac Muuse Jaamac.

Tababbarku waa lacag-la’aan waxana lagu dhiirri gelinayaa dadka ku hawlan qoraalcurinta iyo kuwa warbaahinta ka shaqeeya, kuwaas oo loo kala tix gelinayo siday u soo kala horreeyaan.

Qofka danaynaya inuu ka qayb galo waxa looga baahan yahay:

  1. In uu yimaaddo xafiisyada Xarunta Dhaqanka ee Hargeysa oo ku yaalla Shacabka, Waddada 26ka Juun ee wadnaha Hargeysa, isla markaana is qoro.


  1. In uu xubin ka yahay Xarunta Dhaqanka oo haystaa kaadhka xubinnimada, qofkii aan haysanna marka uu yimaaddo ayuu is diiwaan gelin karaa.

Wixii faahfaahin ah la soo xidhiidh cinwaanka

Macallin Siciid Jaamac Xuseen
Hagaha Sannadkan ee Tabobbarada Xarunta
Lifaaq: Casharrada lagu baranayo tabobbarka


Aasaaska qoraalka Af Soomaaliga

Hordhaca aqoonta afafka
Sugitaanka naxwaha iyo xasilloonidarrada qoraalka Af Soomaaliga
Soohdimaha ereyada iyo astaamaha hadalka kala sooca
Doorka shaqalka iyo shibbanaha
Shibbanayaasha labanlaabma iyo higgaad-sixidda kale ee Af Soomaaliga

Qoraalcurinta suugaanta

Fikirka ka dhexeeya qoraalcurinta iyo qaybaha suugaanta
Riwaayadaha, qoraalkooda iyo jiliddooda
Filimmada, qoraalkooda iyo hagistooda
Maansada iyo abla-ablaynteeda
Sheekada gaaban iyo curinteeda

Af Soomaaliga iyo farsamada cusub

Agabka farsamada cusub iyo caqabadaha hor taagan Af Soomaaliga
Agabka farsamada cusub iyo miisaanka maansada
Kaydka Af Soomaaliga: iscugashada, is-ahaanshaha iyo abtirsiimada ereyga.

Isdiiwaangelintu waxa ay xidhmaysaa Salaasa, 10/07/2018, 2:30 pm. 


Documentary Nights – Alternative Academic Dialog Platform

 Documentary Nights!

Alternative Academic Dialog Platform 

Informative messages are packed in many different ways so as to make it well informing, interesting and out of the routine way of presentation. The growing diversification of these means of academic communication channels has proven to be successful in all aspects of human communication. It is in light of this understanding that the Academic Dialog In Hargeysa (ADIH) has set the last Wednesday of every month to be Documentary Night at Hargeisa Cultural Center. This is set as an alternative way of academic discussion the center runs every Wednesdays mainly for PhD presentations that brings PhD researchers and scholars together to share area of studies, methodologies and provide concrete suggestions for the betterment of the academic research conducted in the region.

The Documentary Nights are however different not only in way of presentation but also in terms of attendants since it is an open event that invites the general public to take part in the screening and afterward discussions. Just like the main stream presentation of PhD works that has connected, assisted and provided concrete way forwards to researchers, the documentary screening also has gained prominence and has expanded the outreach of the call for academic discussions in Hargeysa as the number of participants is increasing as the days goes by.  The team behind the selection of the documentaries to be screened has made sure to keep truck of developments in the region along with the international relevance of the stories behind each documentary which sustained the event and managed to increase the participants.

The first documentary screened was the documentary film directed by Iara Lee, “K2 and the invisible footmen” which focuses on Pakistani traditional heroes of mountaineering. Amid breathtaking scenery, the film depicts the everyday sacrifices of porters and the courage of those indigenous climbers who choose to return to scale K2 in spite of past tragedies. In their striving to perfect their craft, these mountaineers provide a fresh look into the cultures and national traditions of Pakistan, a country typically portrayed in the foreign media as merely a land of conflict and sectarian strife. The aim with this documentary for Somaliland audience is in every small looking activities Somalilanders are performing, the chance that art and culture could be a tool for positive image building is the underling message.

Following this we have had several other documentaries of her under the theme of Cultures of Resistance that has art, culture and creativity for addressing the desire for change in different communities. Using her enquiry ‘Does each gesture really make a difference? Can music and dance be weapons of peace?’  In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction.  Hence she recorded stories from IRAN, where graffiti and rap became tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to BRAZIL, where musicians reach out to slum kids and transform guns into guitars, and ending in PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice”. In addition to this, we were the first to screen Burkinabè Rising, the new documentary from Cultures of Resistance Films that showcases creative nonviolent resistance in Burkina Faso, a small, landlocked country in West Africa, which is home to a vibrant community of artists and engaged citizens, who provide an example of the type of political change that can be achieved when people come together. It is an inspiration, not only to the rest of Africa but also to the rest of the world.

Through music, film, ecology, visual art, and architecture, the people featured in this film are carrying on the revolutionary spirit of Thomas Sankara. In addition to profiling individual artists, Burkinabè Rising documents a festival of recycled art and interviews groups of farmers who are standing up to the encroachment of corporate agriculture. Displaying a panorama of creative resistance, the film shows how the resurgent Burkinabè pursuit of peace and justice manifests itself through cultural expression, permeating every aspect of daily life.

The biography of Malcom x with a very different perspective from what has always been talked about him; civic right advocate but the one that has shown how he has played in the history of Islam is another key documentary screened where by attendants expressed their amusement and surprise long with the relevance.

On 21 February 1965, Malcolm X was shot dead minutes before he was about to address a rally in Harlem, New York. As with the firebombing of his home a week earlier, the finger was automatically pointed at the Nation of Islam with whom Malcolm had split the previous year.

The assassination of Malcolm X spawned the Black Panther Party, and organization that represented the highest point in the civil rights movement that engulfed the US for over two decades. They took Malcolm’s message of self-defense for blacks and translated it into action. During the 1970s they became a focal point for young blacks wanting to fight back against the racist police and state in America. They inspired youth and blacks internationally with their preparedness to fight racism and police brutality. In cycle of autobiography documentary films, the ADIH team is suggestion a reflection on the life and the legacy of Malcom X, and ask –mainly young people in Somaliland- what we can learn today from the legacy of such a great leader.

Upholding its relevance and popularity the next documentary screened by Hargeysa Cultural Centre was The Corporation which is a 2003 Canadian documentary film​ ​written by University of British Columbia law professor Joel Bakan,​ ​and directed by Mark Achbar and Jennifer Abbott, that examines the​​ modern-day corporation. The documentary was screened considering the move by China and other major Asian business corporations are compet​​ing​ ​to grab the land and to secure exclusive businesses ownership in​ ​Africa, and the African governments have no economic power, and​ ​sometimes necessary expertize, to negotiate properly. The question was ​how this “Pathological Pursuit of Profit and Power” can be contained​ ​whi​​le making the necessary progress in Africa? The documentary tries to give this answer to what happened in the Western countries, in​ ​particularly in the USA. What Africa can learn from this experience?  Was the main talk point of the discussion that dwelt on how the multimillion companies deceive, deprive and manipulate system only to serve their interest by setting aside the Social responsibility they are expected is the longest but the most interesting documentary we have screened too.

The last for the time but the least for much more documentaries to come is ‘Stealing A Nation’ which is an extraordinary film about the plight of the Chagos Islands, whose indigenous population was secretly and brutally expelled by British Governments in the late 1960s and early 1970s to make way for an American military base.

The tragedy, which falls within the remit of the International Criminal Court as “a crime against humanity”, is told by Islanders who were dumped in the slums of Mauritius and by British officials who left behind a damning trail of Foreign Office documents.

Before the Americans came, more than 2,000 people lived on the islands in the Indian Ocean, many with roots back to the late 18th century. There were thriving villages, a school, a hospital, a church, a railway and an undisturbed way of life. The islands were, and still are, a British crown colony. In the 1960s, the government of Harold Wilson struck a secret deal with the United States to hand over the main island of Diego Garcia. The Americans demanded that the surrounding islands be “swept” and “sanitized”. Unknown to Parliament and to the US Congress and in breach of the United Nations Charter, the British Government plotted with Washington to expel the entire population.

‘Stealing A Nation’ was a Granada production for ITV. It was first broadcast on ITV1, 6 October 2004. Directors: John Pilger and Chris Martin. Producer: Chris Martin. the Stealing a nation documentary of the uppermost ignorant and abusive arrangement ever made that has wiped out a whole community from their own land just to serve the interest of the USA military base desire is a knocking thought that most significantly considering the situation we are experiencing in Africa most importantly in the horn of Africa. Djibouti being a battle field for military base desire of the super powers from each corner and the emergence of Somaliland in the port and military base sharing space is what triggered the desire to screen the documentary which clearly served the interest. The participants’ reflection on all the documentaries screened is magnificent as it has opened a heated debate every time we have it. the bilingual language use system we employ on this open conversation day (Somali and English) also has served the purpose of including everyone that attended the screening and be able to express their understanding and questions to be discussed together without language limitation.

This way the academic discussion with a different platform has managed to attain its objective of creating a platform where academic discussion with a well-founded data is developed here in Somaliland.

Shaqo Bannaan – Job Announcement



Title: Assistant Librarian

Reporting to: Head of the Department of Archive             Job Type: Part-time

Duty Station: Hargeysa                                                     Duration: 1 year (renewable)


Organizational Background

Redsea Cultural Foundation (RCF) is an art organisation based in Somaliland that has the aim of promoting reading and creative writing in Somaliland with a particular focus on youth. For the last ten years, RCF has been organising an annual international book fair in Hargeysa, the capital of Somaliland. The HIBF has grown into the largest literary festival in East Africa, attracting up to 10,000 participants each year and writers from across Africa, as well as Europe and the USA. In 2014 RCF opened a permanent cultural centre in Hargeysa, extending the activities of the book fair throughout the year. RCF is recruiting a very motivated and talented candidate, and hereby announcing a new position for Assistant Librarian.

Position details: responsibilities

  1. Library Management
  • Librarianship and Information Management fundamentals and concepts.
  • Practical’s – shelving, library classification systems,  reference queries
  • Practical on automated system (KOHA system is preferred but not necessary requirement)
  1. Library Knowledge
  • Processing of information resources
  • Accessioning of library resources
  • Cataloguing – standards and different types
  1. Library Automation
  • Indexing and citation
  • Collections’ development policy
  • Digital depositories
  • E-information sources
  • Open access resources

Candidates with IT background are desired.

What we’re looking for

  • Strong and effective communicator, both written and verbal, with excellent interpersonal skills.
  • Ability to work independently, as well as maintain a positive working relationship with other staff.
  • Flexible, gentle and willing to learn and improve.

 Application Procedure

Interested candidates who met the above criteria should send updated applications letter (motivate your interest to get this position and submit in Somali or English or Both), CV and at least two professional references with contacts to not later than 12:00AM of Saturday 21th April 2018 or personally deliver to Hargeysa Cultural Centre, 26 June Street, No. 2, Sha’ab Area, Hargeysa by 06.00PM. If you do send it by email, and you do not receive a notification email, please call 063 3628220 or 065 9853666 for confirmation before the deadline. Please indicate “Assistant Librarian’’ in the subject of the email.

Only short-listed candidates will be contacted. An identification ID will be needed for examinations. The successful applicant starts to work from the 1st of May 2018.



11th Hargeysa International Book Fair

11th Hargeysa International Book Fair – 21-26 July 2018, Hargeysa, Somaliland

We are pleased to announce that the Hargeysa International Book Fair  (HIBF) will held 21-26 July 2018 in Hargeysa, Somaliland. Last year, we celebrated the festival’s 10th anniversary with our chosen theme of Connectivity, this year we start the next decade with our theme of Wisdom. As an organization we have always sort to promote a “connected, open, creative and tolerant society led by wisdom”, and not by emotions; a society that has survived within its own mechanism, culture, heritage and knowledge production. From the 9th century BeytulHekmi (or Dar’ulHekma) in the Islamic Golden Age in Bagdad to the Somali wise men and women who guided the society in the traditional judiciary system, and who governed with authoritative leadership, the virtue of having wisdom as attribute, always gave few people a distinguished mandate to lead. What happened to that virtue? Who are our chosen vanguards today? What do the literature, the traditional oral poetry and arts had to do with the wisdom? Are men of literature loosing their appeal? Do the radical transformation of the Somali society in the recent time deteriorated the essence of wisdom of the ordinary people? These are the questions that we will seek to answer collectively.

Intertwined with this, HIBF2018 will be hosting Somali Studies International Association 22-24 July 2018 (SSIA18), with Somali knowledge production filled by foreign people (something we often ignore) during a period of difficulties of war – it is important to consider how that factor changed Somali literature and how with a young Somali scholars emerging once again to claim their space within Somali knowledge production- this yet again will change and shape our understanding.

Last year we had the privilege of hosting South Africa as our guest country- this year we will welcome Rwanda, a country which less than three decades ago was embroiled in horrific genocide, but which has reemerged as a proud, progressive and leading country in Africa. Rwanda is also reclaiming its narrative and knowledge production and we are pleased to welcome writers, poets and film-makers, but also policy makers and influential people that shaped the recent history of Rwanda.   The parallel between Somaliland’s own difficult recent history and road recovery are many- and with Rwanda’s president Paul Kagame elected as the 2018 chairperson for African Union, it seems that their futures are also intertwined.

We look forward to welcoming each and every one of you to Hargeysa International Book Fair 2018.

Dr. Jama Musse Jama


Hargeysa Cultural Center

20th March 2018

Academics married with Art

February has a special place in the hearts of Somalilanders specially with young and change seekers are the center of attention for all of the activities in Hargeysa Cultural Center most importantly for the Academic Dialog Session. Looking forward for the celebration of Somaliland youth day on February 20, we Started the month with the session on “Migrants on the Margins: a research project of the Observatory of Conflict and Violence Prevention (OCVP) an institution that is serving as a member of international research partners to the Royal Geographical Society’s Field Research Program that is under way in collaboration with researchers from UK Universities (Sussex, Durham and School of African and Oriental Studies at University of London) to investigate the vulnerability and opportunities of internal migrants from rural and pastoral areas of Somaliland. The research focused particularly on refugees those who are living in three Internally Displaced Camps(IDPs) in Hargeisa (Statehouse, Digaale Camp and Camp A). This three years field research project is simultaneously taking place in four of the world’s most pressured cities, including Hargeisa(Somaliland), Harare(Zimbabwe), Colombo (Sri Lanka) and Dhaka(Bangladesh) with the hope to draw on systematic and comparative data on how these patterns and management techniques vary from one city to another.
To present the research’s current status along with basic findings and methodological aspects, we had Dr Laura Hammond (SOAS) and Dr Benjamin Dix (Positive Negatives, an arts-based company working with the project) along with Ms. Ayan Yousuf (OCVP). The objective of the research is to understand the experiences and challenges that the displaced face in moving into the city and trying to find sustainable livelihoods. The research also considered the challenges faced by municipal authorities in responding to this issue.

As a background and basic findings, the researchers presented that Hargeisa city has nearly one million inhabitants and its economy is mainly dependent on remittance and livestock export. Indicating the fact that the local authority is also struggling to improve the city’s infrastructure and public services which are either absent or in a poor condition, cyclic droughts in the country is stated as a factor that further complicated the situation and have forced many rural and pastoral communities to move to the city in search of survival. The researchers further elaborated that whenever there is drought in the country there are new arrivals, who often find themselves in informal settlements. The three sites house IDPs who are mainly from rural and pastoral communities, but the camps differ in proximity to the city Centre, access to services (including water, education, transportation and work), time of establishment and population which made the challenges faced by the IDP to vary accordingly. The State House, established in 1991, is believed to be the oldest IDP camp in the city, housing 4,500 families at the Centre of Hargeisa. In contrast, the newer Camp A looks like a temporary camp: residents live in simple huts of plastic and old cloths with the hope they will be resettle in a permanent location. Finally, Digaale camp, established in 2012, has an estimated population of 900 families and is located 6km outside the city. Unlike the other two camps, the residents live in permanent metal houses built with the support of the Norwegian Refugee Council (NRC) and Danish Refugee Council (DRC).

On the aspect of the research methodology, the research is using the Q methodology which was devised to allow an individual to represent his or her vantage point for purposes of holding it constant for inspection and comparison. The key to this approach is to consider data in terms of the individual’s whole pattern of responses, a self- reference rather than looking for patterns among people. People and not tests are the variables is the fundamental perspective of the methodology (McKeown & Thomas 1988).
With this methodology, participants are asked to decide what is meaningful and significant from their perspective by using a Q-sort. From this process an essentially relative set of evaluations is produced. The data from several people are then factorially analyzed; this reveals groups of individuals who have ranked characteristics in the same order. This was explained by Ayan Yusuf the senior researcher of the local partner who further stated that they followed the principle to have an appropriate set of statements that come from the concourse that exists around the issue under consideration, as these are the essence of the subjectivity that will later emerge from the sorting of statements by the participants in addition to making sure that the statements used in Q methodology to be representative of the topic so that there are statements that people can agree with and statements that people can disagree. The other aspect of the research which is expected to have unique presentation is that the statements collected and agreed by the informant on the bases the Q-sort method will later be presented as a story line. This was explained by Dr Benjamin Dix from Positive Negatives, an arts-based company working with the project who has been using comic art as a way of presenting research outcomes.

As the research is a work in progress, findings in a generalized form were not part of the presentation. However, the methodological uniqueness and observational issues were part of the follow up questions and discussion. The night also had another mission of providing information on the MSc scholarship at SOAS explained by Dr. Laur Homound the leading coordinator of the scholarship which was an interesting point for the young Somalilanders who has become a major participant of the platform.

The Issue, The Day and The Presentation
Our second presenter for the month was Ebba Tellander a Doctoral Researcher at Peace Research Institute Oslo (PRIO) and International Institute of Social Studies in the Hauge (Erasmus University Rotterdam) whose PhD project focuses on civic mobilization in Somaliland’s recent history.

Her research is affiliated with the Societal Transformation in Conflict Contexts project, funded by the Norwegian Research Council. She was a Researcher at the Social Dynamics Department and a Communicator at the Communication Department at PRIO. Her previous research focused on the role of the Somali diaspora in Norwegian foreign policy towards the Somali region. Even though she is in her initial stage of her research work, the topic she is working on has managed to pull in many issues and aspect in Somaliland. It couldn’t have been in a better timing to talk about her research area as Somaliland National Youth Day is commemorated every year on 20th of February in remembrance of the youths who play a huge role in the ongoing development in the country. More specifically the researcher is taking the UFFO group as her case study owing to the fact that those youths who were all locally educated initiated a volunteerism program at the Hargeisa Group hospital under the banner of UFFO with the objective of creating sanitary conditions at the then northern Somalia main health facility. This was as struggle and resistance against the then Somalia dictatorial government of Mohamed Siyad Barre who in the 20th February of 1982 arrested and sentenced to death a number of youth in Somaliland that escalated to crackdown by the dictator’s forces accompanied by security agents from the National Security Service-NSS elicited anger by local youths in Hargeisa through unprecedented protest demonstrations. It is in honor of UFFO members and their activities that stimulated resistance to Barre’s oppression by ordinary locals, the government of Somaliland declared 20th February as a national youth day. This is how the presentation of Ebba intertwined with the commemoration as her research is aspiring to investigate peace development through volunteerism-based resistance movement. The feedback from the youth association members who were attending the discussion along with UFFO members themselves enlightened the academic dialog and assisted the researcher to obtain a more digested foundation for her work progress.

Double Celebration for the month
February went more interesting considering the third week dialog session which was held on the commemoration of the International Mother Language day whereby we lunched the first Somali language audio book a translation of “We Kissed the Ground” a dramatic firsthand account of a migrant’s journey from Somaliland to the Mediterranean published by the Rift Valley Institute in 2017.

We also had the launching of Dhaxalreeb (1st issue of 2018) our quarterly bilingual magazine (English and Somali) that will serve as another platform to provide literature, academic dialog and traveling information about Somaliland as you are reading it now. Music performance was also part of the entertainment educational structure of the event.

Concluding the month with the thought provoking documentary of The Life of Malcolm X which has a dimension that has not been given much attention.

The documentary presents how Malcom X played as one of the influential Muslims. The platform has once again served its intention of linking scholars from all corners of the world who has taken Somalia, Somaliland and Horn of Africa as their area of interest with a strong sense of developing academic discussions in Somaliland lead and owned by local scholars and youth. It is not a surprise then that we have grown to 258 people in our mailing list which we are certain will grow more. The attendance by young Somalilanders who the vibrant voice of the discussion are assures the sustainability of this platform as they will be the next presenters with the rising academic aspiration they have. Well with such a celebratory mood of the month of February that shed a light on the academic discussions we had, we are looking forward to the coming presentation with open hand and heart to anyone who is heading to Hargeysa Somaliland to join our sessions be it as presenter or an attendant.
Note. Please notify us if you or anyone in your academic circle is heading to Hargeysa so that we can set a time table for them to be part of the presentation sessions. or

Dhaxalreeb Magazine

Dhaxalreeb – Muraayadda Xarunta Dhaqanka ee Hargeysa, 2009-2018

Dhaxalreeb waa xogxejiye sannadkiiba dhowr goor uga soo baxa Hargeysa qaabab kala duwan (ku daabacan waraaq, ku qaybsan mareegaha PDF, ku codaysan cajalado). Tan iyo markii uu bilaabmay oo ahayd sannadkii 2009-kii, waxa uu ahaa muraayadda Xarunta Dhaqanka ee Hargeysa ee laga dheehan karo hawlaha dhaqan, shaxan, waxbarasho, fan, faaqidaad, xusuusxejin, dood-wadaag iyo kaydba leh ee ka socda Xarunta. Waana hage aqooneed oo ay ku soo baxaan qoraallo cilmibaadhiseed oo aan kalgal sugan lahayni.

Sannadkan oo Xarunta Dhaqanku marti gelin doonto Bandhiggii 11aad ee Buugaagta Hargeysa, 40-guuradii aasaaska Ururka Caalamiga ah ee Cilmibaadhista Soomaalida oo ku beegan Shirwaynihii 13aad iyo Furitaanka Rasmiga ah ee hoyga cusub ee Xarunta, Dhaxalreeb waxa uu isna yeelanayaa soo bixitaan joogto ah, tifaftire cusub iyo gole talineed oo ballaadhan.

Bandhigga Caalamiga ah ee Buugaagta Hargeysa waxa uu soo afmeeray tobankii sannadood ee u horreeyey ee ololaha dhigaalcurinta, akhriska iyo qoraalka noocayadiisa kala duwan. Ololahaas waxa baalal u ahaa Bandhigga Hargeysa iyo Buugaagta Wareegta, oo iyada oo la kaashanayo Naadiyada Akhriska, lagu dhiirri gelinayay in waddanka laga furo rugo wax akhris meel kasta.  Guusha ololahaasi waa mid muuqda oo tirada buugaagta la soo saaray ee Soomaaliga ku qoran iyo goobaha wax akhriska magaalooyinka dalku ba ay aad u koreen. Tiro ahaan markaa meel wanaagsan baynu maraynaa.

Tobanka sannadood ee hadda bilaabmay waxa ay hawlwadeennada Xaruntu xoogga saari doonaan tayaynta, mar haddii tiradii meel wanaagsan i noo marayso. Dhaxalreeb wejigiisa cusubna waxa uu ka turjumayaa tayaynta qoraalcurinta iyo waxqorista, waxaana aan ku han weynahay in uu noqon doono maraggii isbeddelka tayadaas.

Akhris wanaagsan

DhaxalReeb Final

Carrada ayaan dhunkannay (Audiobook)

[Download the AudioBook from here]

We Kissed the Ground is the dramatic firsthand account of a migrant’s journey from Somaliland to the Mediterranean. When Mohamed  Hussein Geeldoon’s story was first published by the Rift Valley Institute in 2017, the Somali author Nuruddin Farah commented:

‘This is a vivid account—one of the best I’ve come across—of what it is to be a Somali migrant in pursuit of a safer future elsewhere, away from the precarious life in the Somali Peninsula.’

The Rift Valley Institute and Redsea Cultural Foundation have collaborated to publish We Kissed the Ground as an audio book.

“Geeldoon’s story was collected during our research on the impact of war on Somali men”, explains RVI Director Mark Bradbury. “We felt it is such a powerful story – a story of our time – that it deserves to reach a wide audience. Mohamed agreed and has subsequently used the publication to speak with young Somalis considering the journey. We are grateful to the Redsea Cultural Foundation and the Hargeysa Cultural Centre for producing this audio version of book so it can reach even more young Somalis.”

Dr. Jama Musse Jama, Director of the Hargeysa Cultural Centre considers the production of first Somali audio book is an important milestone for Somali literature. Its launch takes place on the UNESCO International Mother Language Day on 21st February, which is not only symbolic but fittingly reaffirms the commitment of the Redsea Cultural Foundation and its Centre to promote Somali literature, language, culture and arts. “Access to high quality literature in mother tongue through audio books for an oral society like the Somali one in Somaliland is a win-win situation” says Dr. Jama Musse. “Indeed, we are planning to publish new books in this platform before the 11 Anniversary of Hargeysa International Book Fair this year,” concludes Dr. Jama Musse.

Tartanka Sheeko iyo Shaahid

Sheeko iyo Shaahid: Baratan Suugaaneed – 2018

Tartankii 10aad


Seeska Hiddaha iyo Dhaqanka (Redsea Cultural Foundation) iyaga oo ka duulaya fikradda aasaaska u ah  jiritaankooda oo ah inay ka qayb qaataan wax kasta oo horumarinaya taabbagelinta dhigista, fidinta hiddaha iyo suugaanta; xoojinta fanka iyo farshaxanka; baahinta dhaqanka qorista iyo akhriska iyo gaar ahaan kobcinta qoraalka Af-Soomaaliga, waxa ay soo ban dhigayaan Kulankii Tobnaad ee ku baratanka Sheeko curinta Toolmoon, “Sheeko iyo Shaahid”.

Sheekooyinka ka soo qayb galayaa ma aha isku ujeeddo, mawduuca sheekadu ku socoto waxa u madax bannaan qoraaga. Waxa se sannadkan lagu dhiirri gelinayaa Sheeofaneedda.

Waxa halkan ku lifaaqan xeerka Sheeko iyo Shaahid ee sannadkan 2018.



Tartanka “Sheeko iyo Shaahid” waxa qeexaya xeerkan.

  1. Waxaa lagu tartamayaa sheeko Af-Soomaali ku qoran oo aan hor daabicin. Ka-qaybgalka tartanku waa lacag-la’aan; waxana uu u furan yahay qof kasta iyo da’ kasta.
  2. Tartanku waxa uu u furan yahay Sheeko male-awaal ah oo kaliya. Nuxurka sheekada qoraaga ayaa u xor ah. Waana sheeko aan hore loo daabicin (buug ahaan, degellada internetka iyo wargays toona).
  3. Qof kastaa waxa uu ku tartami karaa hal sheeko oo keliya.
  4. Waxa lagu tartamayaa Sheeko Dheer. Qoraalku waa in uu noqon karo buug, haddii hadhow la daabacayo. Qeexidda la siiyey Sheeko Dheeri waa in aan qoraalku ka yaraan 36000 oo xaraf oo u dhiganta 20 bog (boggii waxaa loo xisaabinayaa inuu yahay 30 sadar oo min 60 xaraf ah, qiyaastii 1800 oo xaraf boggiiba). .
  5. Qoraalka waxaa la soo raacinayaa waraaq gaar ah oo ay ku cad yihiin:
    1. magaca qoraaga (ama qoreyaasha),
    2. cinwaanka laga la soo xidhiidhayo (oo ay ku jiraan ugu yaraan lambarka telefoonka gacanta (mobile) ama e-mail midkood),
    3. taariikhda iyo meesha dhalashada,
    4. magaca sheekada uu ku tartamayo.

Waxaa kale oo waraaqdaa lagu soo qorayaa caddayn uu qoraagu saxeexay oo uu ku caddaynayo inuu u yahay qoraaga rasmiga ah ee sheekada curiyey, islmarkaan uu akhriyey, aqbalayna dhammaan farqadaha xeerkan.

  1. Habka iyo goorta qoraalka lagu soo gudbinayo:
    1. Qoraalka waxaa lagu soo gudbin karaa gacanta isaga oo daabacan oo aanay dusha kaga qornayn magaca qoraaga iyo astaan kale toona; waxaa bogga kowaad lagu qorayaa cinwaanka sheekada. Waxaa la soo raacinayaa gal xidhan oo ay ku qoran tahay warbixinta ku cad farqadda 5aad. Waxaa la keenayaa cinwaankan: Xarunta Dhaqanka ee Hargeysa, Waddada 26ka Juun, Shacabka, Hargeysa, inta ka horreysa 8.00 habeennimo ee 15/04/2018.
    2. Qoraalka waxaa iyana lagu soo gudbin karaa isaga oo elegtaroonig ah (pen drive, floppy disk ama se e-mail). Waa inuu qoraalku ku qoran yahay qorme caadi ah (text file editor, tex, MS Word, iwm). Waxa bogga kowaad lagu qorayaa cinwaanka sheekada. Waxaa la soo raacinayaa e-mail gaar ah oo gudihiisa ay ku qoran yihiin dhammaan xogta ku cad farqadda 5-aad. Waxa e-mailka loo soo dirayaa inta ka horraysa 12.00 habeenimo ee 16/04/2018 emailka, loona dirayaa nuqul kale Qofku waa inuu hubiyaa in e-mail kiisa la helay. Haddii aanu jawaabtaas ku helin muddo saddex cisho ah, waa inuu gacanta ka keenaa sida ku cad farqaddan sare. Haddii aanay suuragal ahayn inuu gacanta ka keeno, waa in uu ka eegaa cinwaanka internetka iyo halka laga la soo xidhiidhayo tartanka oo teleefon u soo diraa.
  • Qoraalladu waa inay soo gaadhaan Cinwaannada Xoghaynta (sida ku cad labadan farqadood ee qodobkan 6) inta ka horraysa 12.00 habeennimo ee maalinta Isniinta 16-da bisha afraad 2018 (xilliga Somaliland). Wax allaale wixii soo gaadha xilligaa dabadeed, kama qayb galayaan tartanka.
  1. Qof kasta oo la aqbalo codsigiisa ka-qaybgalka tartanka waxa la ogaysiin doonaa inta ka horraysa 17/04/2018 in uu yahay tartame; lanana socodsiin doonaa halka uu kala xidhiidhayo faahfaahin dheeraad ah.
  2. Guddiga Qiimaynta
  3. Guddi ka kooban ugu yaraan 3 qof (iyo ugu badnaan 5) ayaa loo saari doonaa qiimaynta sheekooyinka; guddigaasi waxay soo qiimayn doontaa darajada sheeko kastaa hesho iyo ku-guulaystaha kaalinta 1-aad, iyagoo aan ogayn cidda qortay sheekada.
  4. Darajadaasi waxay ku salaysnaan doontaa: bilicda suugaanta; heerka Af Soomaaliga qoran cilmi ahaan; heerka cabbirka mala-awaalka iyo tiraab-wanaagga qoraaga.
  5. Tartame kasta oo toos ula xidhiidha guddiga qiimaynta inta aan lagu dhawaaqin go’aanka, waxay keeni kartaa lumis xuquuqda tartame.
  6. Ehelka tooska ah ee xubin ka mid ah Guddiga Qiimayntu ma tartami karaan, haddii aanu xubinta Guddiga Qiimayntu ka tanaasulin xubinnamadeeda marka ay xubintaasi ogaato in qof ehelkeeda ahi soo tartamay.
  7. Go’aanka Baratanka:

Guulayastaha tartanku waxa uu heli doonaa:

  • Astaan (billadda kowaad) oo qoraaga magaciisu ku xardhan yahay, 1000USD oo lacag caddaan ah, iyo heshiis daabicista buugga (Publishing Contract) oo uu kala heeshiyo soo saaraha Ponte Invisibile (buugfidiyaha Seeska Hiddaha iyo Dhaqanka).
  1. Go’aanka Guddigu waa kamadambays aan laga ashkatoon karin. Guddiga, oo ka koobnaan doonta xeeldheerayaal suugaanta iyo Af-Soomaaliga, waxaa si gaar ah loogu magacaabayaa qoraal kale oo aan dadka la la wadaagi doonin si loo yareeyo saamaynta Guddida kaga iman karta dadweynaha. Waxa lagu guubaabinayaa baratamayaashu in aanay haba yaraatee la xidhiidhin guddida qiimaynta, xitaa si kama’ ah u ogeysiinin mid ka mid ah Guddida, sheekadooda wax lagu garan karo. Eeg qodobka 8c.
  2. Bandhigga Go’aanka
  3. Laba toddobaad ka hor ku dhawaaqsita guulaystaha, Guddigu waxa ay shaacin doonaan qoraayada u gudbay wajiga labaad ee baratanka (shortlisted)
  4. Ku-dhawaaqista go’aanka tartanka waxaa lagu beegayaa Bandhigga Caalamiga ah ee Buugaagta Hargeysa ee sannadkan.
  5. U-gudbayaasha wejiga labaad ee tartanka waxaa si gaar ah loogu marti qaadayaa Xafladda Bandhiga Go’aanka baratanka.
  6. Waxaa xafladda lagu soo marti qaadayaa warbaahiyayaasha waddaniga iyo kuwa kaleba.
  7. Xuquuqda Qoraalka (Copyright) ee sheekooyinka
  8. Xuquuqda Abuurka Qoraalka (intellectual property copyright) waxay mar kasta u dhawran tahay qoraaga sheekada.
  9. Sheekooyinka tartanka ka qayb gala oo dhan maamulka tartanku wuxuu ku sii faafin karaa, kuna daabici karaa buug ahaan ama ku soo saari karaa wargaysyada, degellada internetka, joornaallada iyo si kasta oo uu maamulku markaas u arko wanaag, isaga oo mar kasta xusaya lahaanshaha sheekada ee qoraaga hal abuuray iyo inay ka qayb gashay tartankan.
  10. Sheekada guulaysata qoraageedu waxa uu xaq u leeyahay heshiis daabacadeed caalami ah oo uu la galo Seeska Hiddaha iyo Dhaqanka. Xeer baa qeexaya heshiiska daabacadda buugga ee ay wadagalayaan qoraaga iyo soosaaruhu.
  11. Ka-qaybgalka tartankani wuxuu ku farayaa oggolaanshaha farqad kasta oo xeerkan ka mid ah. Faahfaahin dheeraad ah ka eeg:,, amase u qora e-mail



RSOL/K – 001/18 International 14/02/2018

Hawlaha Ka Baxsan Xarunta Gudaheeda

In kasta oo ay shaqada inteeda badan ka dhacdo Xarunta Dhaqanka gudaheeda, haddana waxa khasab ah in mararka qaarkood laga gudbo xadka magaalada iyo ka dalkaba. Safarradani waxa ay noqon karaan kuwo aqoonkorodhsi iyo kuwo tababarro cid kale la siinayo ah labadaba. Safarradaas waxa ka mid ah kii u dambeeyey ee bishii 12-aad 2017 lagu tegay Kigali, Rwanda.  Caasimadda Rwanda ee Kigali waxa isugu imanayey dhowr iyo labaatan qof oo isugu jira halabuur iyo ururro halabuurka dhiirri geliya ama siyaabo kala duwanba ula shaqeeya. Arrinta xiisaha leh ayaa ahayd in ay dhammaantood xiisaynayeen in ay wax ka ogaadaan Xarunta Dhaqanka ee Hargeysa oo ay in badan warkeeda maqleen. Waxa dhacaysay in xiisaha loo qabo Xarunta iyo gebi ahaanba Somaliland uu hadheeyo ururradii kale ee dhiggooda ahaa.  Wax la kaydsado dad baa u mudan, Xaruntuna waxa ay rejaynaysaa in dhowaan la arki doono midhaha ka dhasha wadashaqaynta halabuurka Afrikaanka ah iyo Xarunta Dhaqanka ee Hargeysa.


The Hargeysa Cultural Center was opened in August 2014 in Hargeysa, Somaliland. The Center was established by Redsea Cultural Foundation (RCF). Since its establishment, the Hargeysa Cultural Center has become an important feature in Hargeysa’s cultural landscape. The success of the center owes much to the respect that RCF has gained from its work on running the annual Hargeysa International Book Fair, which, now in its eighth year, has become one of the most admired cultural events in the region.

Mailing form

Our Contacts

26 June Street No. 2, Sha'ab area, Hargeysa, Somaliland


Xarunta Dhaqanka ee Hargeysa