International Day of Disability: 2018

3rd December marks the international day of people with limited ability. In the occasion, Yoonis Cabdiraxmaan, a student at the New Generation University, Hargeysa, with a limited sight, gave a public talk on the situation of the people with limited ability (physical or otherwise) at the Hargeysa Cultural Centre focusing especia.lly on educational possibilities and challenges.

Yoonis Cabdiraxmaan shared with us the challenges a young person with limited ability faces daily and the their future.  Yoonis said: “When I first wanted to join the field of journalism, I faced some challenges. I remember people telling me ‘how can you get any benefits from this field when the ones with sight couldn’t get any’ so I managed to get a scholarship after paying for the first month of the school by myself. My own family couldn’t agree with me in the first place to go studying in the university’’.

He continued “The massage I want to pass on tonight is ‘people with disabilities are part of the community and they don’t belong to stay home,  they deserve to  play their part in the community as well, they need to participate in the politics, I want to be able to  contribute in the politics of my country despite my disability’’.

President of the New Generation University, Mr. Cabdiwaasac, also gave an enriching speech to honouring today’s people with limited mobility as well as to Yoonis Cabdiraxmaan, by saying “We are willing to offer Yoonis to do his Master’s degree with us”

Job Announcements

TWO POSITIONS

FIRST: ASSISTANT LIBRARIAN

Title: Assistant Librarian                                                   Ref: RCF-HCC-COJB044-18

Reporting to: Head of the Department of Archive       Job Type: Part-time

Duty Station: Hargeysa                                                   Duration: 1 year (renewable)

 

Organizational Background

Redsea Cultural Foundation (RCF) is an art organisation based in Somaliland that has the aim of promoting reading and creative writing in Somaliland with a particular focus on youth. For the last ten years, RCF has been organising an annual international book fair in Hargeysa, the capital of Somaliland. The HIBF has grown into the largest literary festival in East Africa, attracting up to 10,000 participants each year and writers from across Africa, as well as Europe and the USA. In 2014 RCF opened a permanent cultural centre in Hargeysa, extending the activities of the book fair throughout the year. RCF is recruiting a very motivated and talented candidate, and hereby announcing a new position for Assistant Librarian.

Position details: responsibilities

  1. Library Management

 Librarianship and Information Management fundamentals and concepts.

  • Practical’s – shelving, library classification systems,  reference queries
  • Practical on automated system (KOHA system is preferred but not necessary requirement)
  1. Library Knowledge
  • Processing of information resources
  • Accessioning of library resources
  • Cataloguing – standards and different types
  1. Library Automation
  • Indexing and citation
  • Collections’ development policy
  • Digital depositories
  • E-information sources
  • Open access resources

Candidates with IT background are desired.

What we’re looking for

  • Strong and effective communicator, both written and verbal, with excellent interpersonal skills.
  • Ability to work independently, as well as maintain a positive working relationship with other staff.
  • Flexible, gentle and willing to learn and improve.

Application Procedure

Interested candidates who met the above criteria should sent updated applications letter (motivate your interest to get this position and submit in Somali or English or Both), CV and at least two professional references with contacts to recruitment@redsea-online.org not later than 12:00AM of Friday 14th December 2018 or personally deliver to Hargeysa Cultural Centre, 26 June Street, No. 2, Sha’ab Area, Hargeysa by 06.00PM, Thursday the 13th December, 2018 If you do send it by email, and you do not receive a notification email, please call 063 3628220 or 065 9853666 for confirmation before the deadline. Please indicate “Assistant Librarian’’ in the subject of the email.

Only short-listed candidates will be contacted. An identification ID will be needed for examinations. The successful applicant starts to work from the 1st of January 2019.

———————————————————————————

SECOND: ADMIN AND FINANCE ASSISTANT

Title: Admin and Finance Assistant                          Ref: RCF-HCC-COJB045-18

Reporting to: Director                                              Job type:        Full time

Duty Station: Hargeysa                                            Duration:       One year

Organizational Background

Redsea Cultural Foundation (RCF) is an art organisation based in Somaliland that has the aim of promoting reading and creative writing in Somaliland with a particular focus on youth. For the last ten years, RCF has been organising an annual international book fair in Hargeysa, the capital of Somaliland. The HIBF has grown into the largest literary festival in East Africa, attracting up to 10,000 participants each year and writers from across Africa, as well as Europe and the USA. In 2014 RCF opened a permanent cultural centre in Hargeysa, extending the activities of the book fair throughout the year. RCF is recruiting a very motivated and talented candidate, and hereby announcing a new position for Admin & Finance Intern.

Position details: responsibilities

1. Administration
  • He/she is responsible for supervising the smooth running of all administrative matters of Redsea Cultural Foundation in collaboration with Admin and Finance Officer, in particularly to:
  • Prepare hotel booking and reservation
  • Assists the Artistic Director to organize workshops, trainings and festivals
  • Assists the Librarians in books acquisition and reading space maintenance
  • Coordinate meeting/forums and ensure minutes are prepared and circulated on time
  • Responsible for organizational assets, verify on regular basis and ensure its maintenance.
  • Prepare all Office correspondence
  • Ensure that organizational registration certificate is renewed on yearly basis
  • Ensure that the filing systems for all office documents are updated at all the times.
2. Human Resource Management
  • File and update all Human Resource related documents.
  • Prepare job descriptions for supporting staff (librarians, admin officer, security, watchman, driver and cleaner)
  • Coordinate, monitor and guide the Admin and Finance Officer and subordinates staff
  • Monitor reporting time of the job and monitor  attendance sheet
  • Prepare leave report on monthly basis
  • Assist the Director in the recruitment process
3. Logistic Management
  • He/she is responsible for supervising the smooth running of all logistical matters of Redsea Cultural Foundation with Admin and Finance Officer, in particularly to:
  • Ensure all procurements are managed smoothly and on time according to RCF procurement procedures
  • Responsible for effective and efficient transport management
  • Handle flight arrangements both locally and Internationally
  • Process visa for visitors and staff one week before their arrival
  • Manage overall logistical needs of Hargeysa Inernational Book Fair and other major events.
4. Finance
  • Prepares payments, purchase authorizations, governmental tax and other financial transactions to ensure compliance with staff rules, funder requirements, organizational financial rules and guidlines and national governmental rules and procedures.
  • In close collaboration with Admin and Finance Officer, maintains updated Cash-book and verifies the proper archiving system of any supporting documentation for each transaction.
  • Verifies and approves with the proper supporting documentation of all book keeping matters submitted by the Admin and Finance Officer.
  • Makes sure data inserted in Quick Book system within the working date received and maintains updated the Financial System of the organization.
  • Ensures daily Backup system with external Hard Disks of any Financial Data.
  • Manages and constantly reviews banking arrangements to ensure timely transfer of funds and minimize exchange loses and bank charges
  • Advises the Director on all budgetary and financial matters in particularly financial planning, fund line allocations and new proposals preparation.
  • In close coordination with Director, coordinate replies to finance related audit comments.
  • In close collaboration with Admin and Finance Officer, carries out a bank reconciliation every month and seeks the approval of the Director within the last date of each month.
  • Verifies the budget constantly and prepares monthly forecasting statement with in the last 3 working days of the previous month.
  • Prepares end of month accounts and seeks the approval of the Director within the 3rd day of the next month
  • Prepares quarterly organization financial report
  • Prepares yearly financial report
Position details: Education, Skills and Experience
  • University Degree in Business Administration, Finance or equivalent.
  • At least 3 years working experience with an International or similar Organization in relevant field.
  • Excellent analytical, communication, negotiation skills and interpersonal skills
  • Excellent in writing and speaking in Somali and English
  • Good knowledge in Computer and the use MS Office knowledge are must. Use of Quick Book software is very important add on
  • Ability to work under highly stressful conditions
  • Appreciation of art and culture in general is an important add on
  • Knowledge of EU funded projects in financial procedures is an important add on
Application Procedure

Interested candidates who met the above criteria should send updated applications letter (motivate your interest to get this position and submit both in Somali and English), CV and at least two professional references with contacts to recruitment@redsea-online.org not later than 12:00AM of Friday 14th December 2018 or hand deliver to Hargeysa Cultural Centre, No 2, 26 June Street, Sha’ab Area, Hargeysa not later than 06:00 pm Thursday 13th of December 2018. If you do send it by email, and you do not receive a notification email, please call 063 3628220 or 065 9853666 for confirmation before the deadline. Please indicate “Admin and Finance’’ in the subject of the email.

Only short-listed candidates will be contacted. An identification ID will be needed for examinations. The successful applicant starts to work from the 1st of January 2019.

REDSEA CULTURAL FOUNDATION IS AN EQUAL OPPORTUNITY EMPLOYER

‘The Africans: A Triple Heritage’ – ADIH Documentary Night

Documentary Screening of June

‘The Africans: A Triple Heritage’ By Dr. Ali Mazrui

ADIH Documentary Night

With the start of the Independence Day celebration for many nations in Africa, June shines up as a month of wish come true for many African countries specially for the Horn of Africa with Somaliland being the first to get its independence on 26th of June from its British protectorate status. Hence, what perfect timing will there be to talk about the issue of independence, indigenous knowledge and identity of Africans than this month even though the quest for answer seems a vicious circle with more than a finger count can do to answer it.  Who is an African? Where are African indigenous knowledge and wisdoms? Where does Africa fit in the ever-changing global system? Many more “where” “what” “Who” and “How” for Africa and Africanness are questions been in search for answer as long as the age of the organization of the continental union which has its foundation on the dreams of the early Pan-African advocates which include leaders such as Haile Selassie, Julius Nyerere, Ahmed Sékou Touré, Kwame Nkrumah, Thomas Sankara and Muammar Gaddafi, grassroots organizers such as Marcus Garvey and Malcolm X, academics such as W. E. B.

Did we get the answers? Not yet even closer in spite of all the changes such as a name and amended vision for Organization of African Unity (OAU) to Africa Union (AU) along with the current initiatives such as African Solutions for African Problems (AFSol), establishment of Panel of The Wise (PoW) as one of the five pillars for AU and its regional organization, nothing yet seem to give a resting point for the quests. The number of people asking “do we even need to define Africanness at this day while aspiring for global citizenry?”  to “What does the African Solutions for Africans Problem really stand for?”  with the inseparable mix of the western and other cultures thanks to the globalization which has a tilted field structure that slides and roll down western norms more on Africans than the things it dropped on the west for countless reasons.

These were the foundations for our Documentary screening of June “The Africans; a Triple Heritage by Dr. Ali Mazrui that guided our academic discussion for the Academic Dialog in Hargeisa session. The Africans: A Triple Heritage is a documentary history, written and narrated by Dr. Ali Mazrui in the early 1980s and jointly produced by the BBC and the Public Broadcasting Service (WETA, Washington) in association with the Nigerian Television Authority. The film series premiered in 1986 on BBC and controversially on local PBS stations throughout the United States. The documentary has a central argument and narration that the triple heritage of Africans is a product resulting from three major influences: (1) an indigenous heritage borne out of time and climate change; (2) the heritage of Eurocentric capitalism forced on Africans by European colonialism; and (3) the spread of Islam by both jihad and evangelism. The negative effects of this history have yet to be addressed by independent African leaders, while the West has tended to regard Africa as recipient rather than as transmitter of effects. Yet Africa has transformed both Europe and America in the past, Mazrui points out, and the difficult situation in which Africa finds itself today (economically dependent, culturally mixed, and politically unstable) is the price it has had to pay for Western development. The series was in nine parts even though the documentary has summarized in a precise manner which are 1. The Nature of a Continent 2. A Legacy of Lifestyles 3. New Gods 4. Tools of Exploitation 5. New Conflicts 6. In Search of Stability 7. A Garden of Eden in Decay 8. A Clash of Cultures 9. Global Africa.

Using the documentary as entry point discussions were directed towards  many point of interest as it touched up on a multilayered issues overthought the highly voiced issue was the state structure of Somaliland where by the indigenous knowledge of conflict resolution through the elders which now is a constitutionalized part of the state structure making the upper house of the parliament named as Guurti in parallel  with the multiparty western democratic system to create the Hybrid government system of Somaliland. Questions and reflections were how much effective this has been and what are the challenges it is creating for the fundamental principles of rule of law, separation of power and accountability among many others. Participant were firm on the fact that these layers of rule and regulations that are reflection of the triple heritage Dr. Mizuri was talking about are a real reflection of the situation in Somaliland now as the Islamic rule, the western rule and the indigenous justice system all are in place hard to say having an effective marriage and are serving the best interest of the community specially the youth and women who are significant part of the society.

Stepping out of the government structure arguments, discussion was also towards even on self-depiction of a Somalilander by proxy any African who has to deal with the same issue due to the colonial legacy, the globalization system and the wish to stay loyal to the cultures and norms of the indigenous founding fathers of the African nations. How do we dress? what language we speak? and what shapes our moral value? are questions that became pandora box than gained a solution in our interesting discussion of the documentary screening.

Of course, it would be an over ambition to address these questions which have been with us for more than 50 years celebrating their power for confusion and remain a question with unpreventable changes just like the years of independence days marked by independent days of nations in the continent. Will it have answer any time soon? we leave it as a question knowing many will keep on asking themselves and use it as a critical mirror to evaluate the changes happening around them until our next socially significant documentary screening of July.

By Tirsit Yetbarek

Academic Dialog in Hargeysa Coordinator

Doing research: a workshop on research approaches and methods

Somaliland is attracting an increasing number and diversity of research projects, offering interesting opportunities for researchers to participate in interesting and potentially valuable projects designed to better understand Somaliland, it’s people and its context. A significant number of young Somali scholars are also pursuing PhDs and other research degrees which call for a similar understanding of research methodologies. This workshop will provide an introduction, over four days, to the different approaches and methods used to collect data in academic and policy-focused research projects. It will cover both qualitative and quantitative methods, and will consider research ethics and the ontologies and epistemologies related to different ways of understanding the research process.
This workshop is being supported by the Development Planning Unit (DPU) of UCL (University College London), UK.
It will be take by Dr Mohamud Hashi Hussein and Dr Michael Walls.
Dr Mohamud Hashi Hussein is an economist with over 20 years of experience in industry, the public sector and research in the UK, and more recently in Somaliland. He has an excellent understanding of the challenges and opportunities for research in the Somali Horn of Africa, as well as in a wide range of thematic areas employing both quantitative and qualitative methods. His research skills and expertise include the quantitative analysis of business responses to regulation and market incentives, and qualitative analysis of behavioural drivers for the uptake of new technologies. Most recent work includes extensive research on the political economy of regulatory policies, including regulatory capture by industry interests.
Dr Michael Walls is a Senior Lecturer at UCL’s Bartlett Development Planning Unit (DPU) and, and for the past fourteen years, his research has focused on the political economy of the Somali Horn of Africa, including the evolving political settlement in Somaliland. He was Chief Observer for the international observation mission to Somaliland’s 2017 presidential election, and has also been a member of the coordination team for missions in 2005, 2010 and 2012 as well as the 2016 Voter Registration process. Michael was Principal Investigator for the ESRC-funded research project ‘Political Settlement in Somaliland: a gendered perspective’, and is currently part of the research team looking at Complex Land Markets in Somaliland and Uganda.

Somali Studies International Association

Somali Studies International Association was established in 1978. It is an organization that has played a central role in defining the field of modern Somali Studies, and since its establishment, it has organized 12 International Congresses, and many other regional and continental conferences. Out of the 12 International congresses, only four took place in the Somali speaking territories. 40 years later, it is high time for SSIA to hold its Congress in the Horn of Africa. In fact holding 2018 SSIA in Hargeysa will enable Somali studies to reconnect with the current reality on the ground. The last time a full congress was held on Somali soil was in 2001 in Hargeysa and in 2007 Djibouti co-hosted.

The initiative would assist young Somali scholars to close the feelings of disconnect they feel with academia as whole and thereby positively encourage young Somalis to be more active and feel ownership over scholarly contributions. Additionally the legitimate subjects of Somali Studies are not necessarily Somali’s who have avenues to participate, object, contribute and debate in the Diaspora, but rather local Somali people in Somali territories that lack the academic platforms to engage with Somali Studies beyond being subjects of study. Holding it here in conjunction with state and private Universities will provide legitimacy and access to a hard reached population. Local Somali scholars are missing two fundamental things: firstly institutions to provide backing of their work and secondly the recognition and platform to showcase their work. For this reason  2018 SSIA congress will be jointly held in Hargeysa by Somali institutions and some western Universities who already work in the Somali territories to benefit key stakeholders. Please read more here.

Film Production Course

‘Are You Not Entertained?’ Treatment: Films for Development

An intensive course on Film Production at Hargeysa Cultural Centre

“Whenever am faced with this question, why Films for Development? My answer has always been – My observations became an obligation.” Says Taye Balgun, Taye is a film director/photographer, pan Africanist, activist, social justice campaigner and a teacher.

The course

There are too many entertainers across the world but not enough content to create a critical thinking, provoke minds and trigger change. As a part of Hargeysa International Book Fair pre-activities, Redsea Cultural Foundation is organizing this year at Hargeysa Cultural Centre, a  film production workshop that will take the following structure:

  1. IDEATION: Identifying a problem. This is a simple discussion forum.
  2. RESEARCH: Why is it a problem? Maybe its not a problem elsewhere. How did the problem occurred?
  3. CONCEPT: Will our approach to the subject matter create awareness, provide solution or provoke discussion? A 360 or 180 perspective.
  4. FOCUS GROUP: Who are we targeting? Policy makers, NGO, Grassroots folks, Youth, Experts etc What action do we expect from them?
  5. STORYBOARDING: A sketchy visual narration. If you can visualise your story, you can’t achieve it.
  6. SCRIPTING: Creation of the flow of storyline. Put words on paper, let others read it.
  7. PRODUCTION: Film techniques and style of storytelling. Let the shoot begins.

The workshop will be more interactive and hands-on. Runing five full days, from 14th – 19th, the course organizers expect to have a tangible outcome: A 2 minutes video.

Biography of the lead trainer

Taye Balogun is a Film Director/Photographer, Activist, Educator and a Campaigner. From directing Broadway Musicals to feature films with special emphasis on impact production. Taye has consulted, campaigned and engaged with several international organizations/bodies {Control Arms, Water Aid, Oxfam, HelpAge, SOTU, Save The Children, African Union, UNESCO, AYICC, Amnesty International, Action Aid  e.t.c} on issues ranging from Water and Sanitation, Gender Equality, Youth Empowerment, Women/Human Rights, Climate Change, Peace and Security, and Arms Control. He is the Director of Media and Campaigns of African Artists Peace Initiative (www.aapiafrica.org) – a pan African movement of Artists and Peacemakers working closely with the African Union and UNESCO. Taye is an Alumni of the UNLEASH – a global Lab on SDG’s where he advocated for quality education for all . Taye taught Acting/Filmmaking for 4 years, and presently teaches Films for Development, which has attracted an invite to present his work in Harvard University, Howard University and Georgetown University in the United States. Taye is currently working on his first book titled GUNS, GUTS & GOD and his 7th feature film titled THE BLUE KHAFTAN. www.tayebalogun.com

Other film makers who attend the Hargeysa International Book Fair and Somali Studies International Association Congress, will meet the trainees after the workshop for further improvement.

Tababbarta Tiraabcurinta Toolmoon

QORAAL-CURINTA TOOLMOON

Tababbarrada Xarunta Dhaqanka ee Hargeysa, 2018

Xarunta Dhaqanka ee Hargeysa waxa ka furmi doona tababbar ku saabsan qoraal-curinta toolmoon, gaar ahaan qaybaha maansada, riwaayadaha, filimmada iyo sheekada gaaban. Tababbarkani kuwii sannadihii ka horreeyay ayuu kaabayaa. Waana mid loogu talo galay in ay ka faa’idaystaan dadka ku hawlan qoraalcurinta, saxaafadda, ardeyda barata suugaanta iyo kuwii la mid ah.

Muddada tababbarku soconayaa waa toddobaad 13ka Julaay ilaa 18ka Julaay 2018, Xarunta Dhaqanka ayuuna ku qabsoomayaa. Waxa casharrada bixin doona barayaal ku xeeldheer qoraal-curinta toolmoon waxana, marti ku ahaan doona barayaal iyo xirfadlayaal warbaahinta ku jira oo la wadaagi doona ardeyda waaya-aragnimadooda. Siciid Saalax Axmed, Siciid Jaamac Xuseen, Cabdillaahi Cawed Cige, Saynab Aadan Sharci, Maxamed Baashe X. Xasan, Maxamuud Sheekh Dalmar, Cabdalla Cismaan Shafey, Maxamed Xirsi Guuleed, Maxamed Cali Xasan “Alto”, Dr. Jaamac Muuse Jaamac.

Tababbarku waa lacag-la’aan waxana lagu dhiirri gelinayaa dadka ku hawlan qoraalcurinta iyo kuwa warbaahinta ka shaqeeya, kuwaas oo loo kala tix gelinayo siday u soo kala horreeyaan.

Qofka danaynaya inuu ka qayb galo waxa looga baahan yahay:

  1. In uu yimaaddo xafiisyada Xarunta Dhaqanka ee Hargeysa oo ku yaalla Shacabka, Waddada 26ka Juun ee wadnaha Hargeysa, isla markaana is qoro.

 

  1. In uu xubin ka yahay Xarunta Dhaqanka oo haystaa kaadhka xubinnimada, qofkii aan haysanna marka uu yimaaddo ayuu is diiwaan gelin karaa.

Wixii faahfaahin ah la soo xidhiidh cinwaanka courses@redsea-online.org

Macallin Siciid Jaamac Xuseen
Hagaha Sannadkan ee Tabobbarada Xarunta
Lifaaq: Casharrada lagu baranayo tabobbarka

CASHARRADA LAGU BARANAYO:

Aasaaska qoraalka Af Soomaaliga

Hordhaca aqoonta afafka
Sugitaanka naxwaha iyo xasilloonidarrada qoraalka Af Soomaaliga
Soohdimaha ereyada iyo astaamaha hadalka kala sooca
Doorka shaqalka iyo shibbanaha
Shibbanayaasha labanlaabma iyo higgaad-sixidda kale ee Af Soomaaliga

Qoraalcurinta suugaanta

Fikirka ka dhexeeya qoraalcurinta iyo qaybaha suugaanta
Riwaayadaha, qoraalkooda iyo jiliddooda
Filimmada, qoraalkooda iyo hagistooda
Maansada iyo abla-ablaynteeda
Sheekada gaaban iyo curinteeda

Af Soomaaliga iyo farsamada cusub

Agabka farsamada cusub iyo caqabadaha hor taagan Af Soomaaliga
Agabka farsamada cusub iyo miisaanka maansada
Kaydka Af Soomaaliga: iscugashada, is-ahaanshaha iyo abtirsiimada ereyga.

Isdiiwaangelintu waxa ay xidhmaysaa Salaasa, 10/07/2018, 2:30 pm. 

 

Documentary Nights – Alternative Academic Dialog Platform

 Documentary Nights!

Alternative Academic Dialog Platform 

Informative messages are packed in many different ways so as to make it well informing, interesting and out of the routine way of presentation. The growing diversification of these means of academic communication channels has proven to be successful in all aspects of human communication. It is in light of this understanding that the Academic Dialog In Hargeysa (ADIH) has set the last Wednesday of every month to be Documentary Night at Hargeisa Cultural Center. This is set as an alternative way of academic discussion the center runs every Wednesdays mainly for PhD presentations that brings PhD researchers and scholars together to share area of studies, methodologies and provide concrete suggestions for the betterment of the academic research conducted in the region.

The Documentary Nights are however different not only in way of presentation but also in terms of attendants since it is an open event that invites the general public to take part in the screening and afterward discussions. Just like the main stream presentation of PhD works that has connected, assisted and provided concrete way forwards to researchers, the documentary screening also has gained prominence and has expanded the outreach of the call for academic discussions in Hargeysa as the number of participants is increasing as the days goes by.  The team behind the selection of the documentaries to be screened has made sure to keep truck of developments in the region along with the international relevance of the stories behind each documentary which sustained the event and managed to increase the participants.

The first documentary screened was the documentary film directed by Iara Lee, “K2 and the invisible footmen” which focuses on Pakistani traditional heroes of mountaineering. Amid breathtaking scenery, the film depicts the everyday sacrifices of porters and the courage of those indigenous climbers who choose to return to scale K2 in spite of past tragedies. In their striving to perfect their craft, these mountaineers provide a fresh look into the cultures and national traditions of Pakistan, a country typically portrayed in the foreign media as merely a land of conflict and sectarian strife. The aim with this documentary for Somaliland audience is in every small looking activities Somalilanders are performing, the chance that art and culture could be a tool for positive image building is the underling message.

Following this we have had several other documentaries of her under the theme of Cultures of Resistance that has art, culture and creativity for addressing the desire for change in different communities. Using her enquiry ‘Does each gesture really make a difference? Can music and dance be weapons of peace?’  In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction.  Hence she recorded stories from IRAN, where graffiti and rap became tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, moving on to BRAZIL, where musicians reach out to slum kids and transform guns into guitars, and ending in PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice”. In addition to this, we were the first to screen Burkinabè Rising, the new documentary from Cultures of Resistance Films that showcases creative nonviolent resistance in Burkina Faso, a small, landlocked country in West Africa, which is home to a vibrant community of artists and engaged citizens, who provide an example of the type of political change that can be achieved when people come together. It is an inspiration, not only to the rest of Africa but also to the rest of the world.

Through music, film, ecology, visual art, and architecture, the people featured in this film are carrying on the revolutionary spirit of Thomas Sankara. In addition to profiling individual artists, Burkinabè Rising documents a festival of recycled art and interviews groups of farmers who are standing up to the encroachment of corporate agriculture. Displaying a panorama of creative resistance, the film shows how the resurgent Burkinabè pursuit of peace and justice manifests itself through cultural expression, permeating every aspect of daily life.

The biography of Malcom x with a very different perspective from what has always been talked about him; civic right advocate but the one that has shown how he has played in the history of Islam is another key documentary screened where by attendants expressed their amusement and surprise long with the relevance.

On 21 February 1965, Malcolm X was shot dead minutes before he was about to address a rally in Harlem, New York. As with the firebombing of his home a week earlier, the finger was automatically pointed at the Nation of Islam with whom Malcolm had split the previous year.

The assassination of Malcolm X spawned the Black Panther Party, and organization that represented the highest point in the civil rights movement that engulfed the US for over two decades. They took Malcolm’s message of self-defense for blacks and translated it into action. During the 1970s they became a focal point for young blacks wanting to fight back against the racist police and state in America. They inspired youth and blacks internationally with their preparedness to fight racism and police brutality. In cycle of autobiography documentary films, the ADIH team is suggestion a reflection on the life and the legacy of Malcom X, and ask –mainly young people in Somaliland- what we can learn today from the legacy of such a great leader.

Upholding its relevance and popularity the next documentary screened by Hargeysa Cultural Centre was The Corporation which is a 2003 Canadian documentary film​ ​written by University of British Columbia law professor Joel Bakan,​ ​and directed by Mark Achbar and Jennifer Abbott, that examines the​​ modern-day corporation. The documentary was screened considering the move by China and other major Asian business corporations are compet​​ing​ ​to grab the land and to secure exclusive businesses ownership in​ ​Africa, and the African governments have no economic power, and​ ​sometimes necessary expertize, to negotiate properly. The question was ​how this “Pathological Pursuit of Profit and Power” can be contained​ ​whi​​le making the necessary progress in Africa? The documentary tries to give this answer to what happened in the Western countries, in​ ​particularly in the USA. What Africa can learn from this experience?  Was the main talk point of the discussion that dwelt on how the multimillion companies deceive, deprive and manipulate system only to serve their interest by setting aside the Social responsibility they are expected is the longest but the most interesting documentary we have screened too.

The last for the time but the least for much more documentaries to come is ‘Stealing A Nation’ which is an extraordinary film about the plight of the Chagos Islands, whose indigenous population was secretly and brutally expelled by British Governments in the late 1960s and early 1970s to make way for an American military base.

The tragedy, which falls within the remit of the International Criminal Court as “a crime against humanity”, is told by Islanders who were dumped in the slums of Mauritius and by British officials who left behind a damning trail of Foreign Office documents.

Before the Americans came, more than 2,000 people lived on the islands in the Indian Ocean, many with roots back to the late 18th century. There were thriving villages, a school, a hospital, a church, a railway and an undisturbed way of life. The islands were, and still are, a British crown colony. In the 1960s, the government of Harold Wilson struck a secret deal with the United States to hand over the main island of Diego Garcia. The Americans demanded that the surrounding islands be “swept” and “sanitized”. Unknown to Parliament and to the US Congress and in breach of the United Nations Charter, the British Government plotted with Washington to expel the entire population.

‘Stealing A Nation’ was a Granada production for ITV. It was first broadcast on ITV1, 6 October 2004. Directors: John Pilger and Chris Martin. Producer: Chris Martin. the Stealing a nation documentary of the uppermost ignorant and abusive arrangement ever made that has wiped out a whole community from their own land just to serve the interest of the USA military base desire is a knocking thought that most significantly considering the situation we are experiencing in Africa most importantly in the horn of Africa. Djibouti being a battle field for military base desire of the super powers from each corner and the emergence of Somaliland in the port and military base sharing space is what triggered the desire to screen the documentary which clearly served the interest. The participants’ reflection on all the documentaries screened is magnificent as it has opened a heated debate every time we have it. the bilingual language use system we employ on this open conversation day (Somali and English) also has served the purpose of including everyone that attended the screening and be able to express their understanding and questions to be discussed together without language limitation.

This way the academic discussion with a different platform has managed to attain its objective of creating a platform where academic discussion with a well-founded data is developed here in Somaliland.

Shaqo Bannaan – Job Announcement

JOB ADVERTISEMENT

ASSISTANT LIBRARIAN

Title: Assistant Librarian

Reporting to: Head of the Department of Archive             Job Type: Part-time

Duty Station: Hargeysa                                                     Duration: 1 year (renewable)

 

Organizational Background

Redsea Cultural Foundation (RCF) is an art organisation based in Somaliland that has the aim of promoting reading and creative writing in Somaliland with a particular focus on youth. For the last ten years, RCF has been organising an annual international book fair in Hargeysa, the capital of Somaliland. The HIBF has grown into the largest literary festival in East Africa, attracting up to 10,000 participants each year and writers from across Africa, as well as Europe and the USA. In 2014 RCF opened a permanent cultural centre in Hargeysa, extending the activities of the book fair throughout the year. RCF is recruiting a very motivated and talented candidate, and hereby announcing a new position for Assistant Librarian.

Position details: responsibilities

  1. Library Management
  • Librarianship and Information Management fundamentals and concepts.
  • Practical’s – shelving, library classification systems,  reference queries
  • Practical on automated system (KOHA system is preferred but not necessary requirement)
  1. Library Knowledge
  • Processing of information resources
  • Accessioning of library resources
  • Cataloguing – standards and different types
  1. Library Automation
  • Indexing and citation
  • Collections’ development policy
  • Digital depositories
  • E-information sources
  • Open access resources

Candidates with IT background are desired.

What we’re looking for

  • Strong and effective communicator, both written and verbal, with excellent interpersonal skills.
  • Ability to work independently, as well as maintain a positive working relationship with other staff.
  • Flexible, gentle and willing to learn and improve.

 Application Procedure

Interested candidates who met the above criteria should send updated applications letter (motivate your interest to get this position and submit in Somali or English or Both), CV and at least two professional references with contacts to recruitment@redsea-online.org not later than 12:00AM of Saturday 21th April 2018 or personally deliver to Hargeysa Cultural Centre, 26 June Street, No. 2, Sha’ab Area, Hargeysa by 06.00PM. If you do send it by email, and you do not receive a notification email, please call 063 3628220 or 065 9853666 for confirmation before the deadline. Please indicate “Assistant Librarian’’ in the subject of the email.

Only short-listed candidates will be contacted. An identification ID will be needed for examinations. The successful applicant starts to work from the 1st of May 2018.

 

REDSEA CULTURAL FOUNDATION IS AN EQUAL OPPORTUNITY EMPLOYER

About

The Hargeysa Cultural Center was opened in August 2014 in Hargeysa, Somaliland. The Center was established by Redsea Cultural Foundation (RCF). Since its establishment, the Hargeysa Cultural Center has become an important feature in Hargeysa’s cultural landscape. The success of the center owes much to the respect that RCF has gained from its work on running the annual Hargeysa International Book Fair, which, now in its eighth year, has become one of the most admired cultural events in the region.

Mailing form





Our Contacts

26 June Street No. 2, Sha'ab area, Hargeysa, Somaliland

252(0)63-3628220

Xarunta Dhaqanka ee Hargeysa